Two decades of singular focus on the face and the body in proportion. The credentials below are the floor, not the achievement — the achievement is the result that no one can name.
The face is not a collection of features to be improved one at a time. It is a single argument — a balance of light and shadow that the eye reads in a fraction of a second, long before it counts a millimetre.
My work begins by listening for what a patient does not say. The request is rarely the goal. Someone asks to change a nose and means to be seen clearly; someone asks for younger and means rested, unguarded, themselves.
So I operate conservatively, and I revise reluctantly. I would rather take a second small step than one I cannot take back. The best outcome is the one that draws no attention to the surgery — only to the person, who looks unmistakably like themselves, only more at ease.
That restraint is the practice. It is slower, and it is harder, and it is the only standard I am interested in keeping.
“Marchand has built a reputation on the work you cannot see.”— Harper's Bazaar
“A surgeon for people who do not want to look like they have a surgeon.”— Robb Report
“The rare practice where the before and after look like the same person.”— Allure
“Quiet, exacting, and almost contrarian in its restraint.”— Town & Country
I chose this work because a face, changed well, gives someone their own attention back. I do not take that lightly. If we work together, you will know every step before it happens, and you will never be a case to me — you will be the reason the room is quiet and the hands are sure.